Pitchfork avant-garde : une douce nuit en compagnie de Lauren Auder et Ider
A l’arrivée de l’automne, la Grande Halle de la Villette accueille chaque année, depuis 2011, le Pitchfork Music Fest, de quoi réchauffer nos coeurs et nos corps pendant trois jours de live music en plein air. Cette année, on a eu la chance de pouvoir assister à l’édition avant-garde du festival où des artistes émergents sont mis à l’honneur. Pendant deux jours, différents artistes se partagent les scènes itinérantes de plusieurs bars parisiens, tous situés aux alentours de la place de la Bastille.
As
cold and rainy autumn comes knocking at our doors with its dripping
nose, La Grande Halle de La Villette ends festival season beautifully
with the Pitchfork Music Fest with 3 days of non-stop live music. This
year we were privileged enough to attend Pitchfork Avant-Garde -- an
alternative edition of the latter. Meaning that, yes, we got to see
badass young artists fiercely kicking off the music industry in the
face. And here’s what we kept in mind.
Lauren Auder, l’ange déchu néo-romantique

Lauren Auder or when pain meets delicacy.
As
we’re all waiting in front of the stage, a long-haired, bare-feet,
twinkling fairy figure arrives with such etherealness, i’m actually very
intrigued -- and so begins Pitchfork season, here, at Café de la Danse.
The name echoing the walls of this small concert venue is no one’s but
Lauren Auder’s. This young 19 year old half-french, half-british artist
broke in 2018 with the release of his debut EP “Who Carry’s You”. Before
coming to Pitchfork Avant-Garde, the month of october was quite of a
busy one for him as he followed Christine and The Queens on her european
tour. Despite his young age and naive -- almost innocent -- physical
appearance, Lauren Auder has one hell of a musical history behind him.
We cannot sweep the mysticism and christian iconography off his music
record. His low-pitched voice almost comes as unexpected when seized by
classical strings. The music progressively turns into a cathartic
elucidation of adolescence ache saturated with pure, harrowing romantic
poetry.

IDER, the epitome of powerful women energy
The
second part of this two-day-long music fest kicks in with IDER, an alt
pop duo coming straight up from North London. Meg and Lily, despite
looking extremely alike, are two friends who came together a few years
ago, making their first break out track “Sorry” in their bedroom back in
2016. This silken debut track caught the attention of songwriter and
producer Shura who introduced them to Glassnote Record, thus producing
and releasing their debut EP “Gut Like An Animal” the following year. We
cannot amputate the sense of sorority and female empowerment that stems
from their lyricism. They approach life with a genuine and vulnerable
outlook leaving us in a state of lightness and pure tranquility. Their
music is the hand of God stretching towards Adam as in Michelangelo's
Sixtine Chapel, it’s the state of solace in which we’ve been yearning to
nest. As the gig was coming to an end -- and as the two were
“oversharing on stage but don’t do it in real life” -- i was pleased
enough to see that they chose to play their latest track “Mirror” from
their first upcoming album. This new track offers a vulnerable and
intimate statement on life’s mishaps and how to navigate through it all :
loss of past lovers, friends, self. The song hit its peak at the last
chorus, lights turned off as the delicate voices of Megan and Lily merge
together. While waiting for IDER’s european tour this upcoming year,
here’s the link for you to watch ‘Mirror’’s music video they released a
few days ago :
words and pics : christiane esteves.
Mille mercis à Sandra de Pitchfork pour l'accréditation,
Love Always,
Ian x